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Alfred Sisley Die Strohmieten oil painting


Die Strohmieten
Painting ID::  77401
Alfred Sisley
Die Strohmieten
1895 Oil on canvas 60 ?? 73 cm cjr

   
   
     

Alfred Sisley Kastanienallee in La Celle-Saint-Cloud oil painting


Kastanienallee in La Celle-Saint-Cloud
Painting ID::  77453
Alfred Sisley
Kastanienallee in La Celle-Saint-Cloud
1865(1865) Oil on canvas 50 ?? 65 cm cjr

   
   
     

Alfred Sisley Seine bei Port Marly, Mit dem Sandhaufen oil painting


Seine bei Port Marly, Mit dem Sandhaufen
Painting ID::  77465
Alfred Sisley
Seine bei Port Marly, Mit dem Sandhaufen
1875 Oil on canvas 54 ?? 65,7 cm cjr

   
   
     

Alfred Sisley L inondation Port Marly oil painting


L inondation Port Marly
Painting ID::  77679
Alfred Sisley
L inondation Port Marly
1876(1876) Medium Oil on canvas Dimensions 60 x 80 cm (23.6 x 31.5 in) cyf

   
   
     

Alfred Sisley Kahn in der Uberschwemmung oil painting


Kahn in der Uberschwemmung
Painting ID::  78006
Alfred Sisley
Kahn in der Uberschwemmung
Date 1876 Medium Oil on canvas Dimensions 50,5 x 61 cm cyf

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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     | Bartolomeo Spranger | Theodor Esbern Philipsen | COPLEY, John Singleton |


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